Metropolis (1927)

User Rating:

8.4/10   

Director:

Fritz Lang

Writers:

Thea von Harbou (screenplay)
Thea von Harbou (novel)

Release Date:

13 March 1927 (USA)

Genre:

Action | Adventure | Drama | Fantasy | Romance | Sci-Fi | Thriller

Tagline:

There can be no understanding between the hands and the brain unless the heart acts as mediator.

Plot:

In a futuristic city sharply divided between the working class and the city planners, the son of the city's mastermind falls in love with a working class prophet who predicts the coming of a savior to mediate their differences.

Plot Keywords:

Worker | Vision | Future | Kiss | Death

Awards:

2 wins & 2 nominations

Cast

Alfred Abel	...	Joh Fredersen
Gustav Fröhlich	...	Freder, Joh Fredersen's son
Rudolf Klein-Rogge	...	C. A. Rotwang, the inventor
Fritz Rasp	...	The Thin Man
Theodor Loos	...	Josaphat
Erwin Biswanger	...	11811
Heinrich George	...	Grot, the guardian of the Heart Machine
Brigitte Helm	...	Maria / The Robot

Runtime:

153 min | Germany:147 min (2001 restored version) | Germany:210 min (premiere cut) | Germany:80 min (Giorgio Moroder version) | Germany:93 min (re-release version) | USA:114 min (25 fps) (1927 cut version) | USA:123 min (2002 Murnau Foundation 75th aniversary restored version) | Spain:118 min (DVD edition) | USA:117 min

Country:

Germany

Language:

German

Color:

Black and White (tinted)

Aspect Ratio:

1.33 : 1

Sound Mix:

Dolby Digital (1995 restored version) | Silent (original release)

Certification:

Germany:12 (video rating) (re-release) | West Germany:16 (theatrical re-release) (1962) | Germany:18 (original rating) (1927) | Germany:o.Al. (DVD re-rating) | Iceland:L | Argentina:Atp | Australia:G | Canada:G | Chile:TE | Norway:12 (1986) | Peru:PT | Portugal:17 (original rating) | Portugal:M/6 (DVD rating) | South Korea:12 (DVD rating) | Spain:T (DVD rating) | Sweden:11 (re-release) | Sweden:15 (original rating) | UK:A (original rating) | UK:PG (video rating)

Filming Locations:

Berlin, Germany

Company:

Universum Film (UFA)

Trivia:

The restored version of 2001 is based on a digital restoration at 2K resolution from the best available sources. The image quality far surpasses anything seen since the original release of the film.

Goofs:

Revealing mistakes: On the Kino DVD, a shot in chapter 7 that lasts nine seconds is backwards. The shot starts at 16 minutes, 33 seconds. It is the third of four cityscape shots in a row. The vehicular traffic in this third shot moves on the left side. The traffic moves on the right side in the second and fourth shots. There is a backward script letter "B" on the left side of the third shot. These indicate the third shot is backwards. If the third shot is reversed, it becomes apparent that it is a close-up of the bottom of the fourth shot.

Quotes:

Freder: It was their hands that built this city of ours, Father. But where do the hands belong in your scheme?
Joh Frederson: In their proper place, the depths.

Movie Connections:

Referenced in Superior Firepower: The Making of 'Aliens' (2003) (V)

Soundtrack:

Here's My Heart

So old…and yet so futuristic!

Fritz Lang's groundbreaking landmark remains one of the biggest mysteries in the world of cinema. How can a movie that'll soon turn 80 years old still look so disturbingly futuristic?? The screenplay by Thea Von Harbou is still very haunting and courageously assails social issues that are of all ages. The world has been divided into two main categories: thinkers & workers! If you belong to the first category, you can lead a life of luxury above ground but if you're a worker, your life isn't worth a penny, and you're doomed to perilous labor underground. The further expansions and intrigues in the screenplay are too astonishing to spoil, so I strongly advise that you check out the film yourself. It's essential viewing, anyway! "Metropolis" is a very demanding film-experience and definitely not always entertaining. But, as it is often the case with silent-cinema classics, the respect and admiration you'll develop during watching it will widely excel the enjoyment-aspect. Fritz' brutal visual style still looks innovative and few directors since were able to re-create a similarly nightmarish composition of horizontal and vertical lines. Many supposedly 'restored' versions have been released over the years (in 1984 and 2002, for example) but the 1926-version is still the finest in my opinion, even though that one already isn't as detailed and punctual as Lang intended it. "Metropolis" perhaps is THE most important and influential movie ever made. "2001: A Space Odyssey", "Star Wars" and "Blade Runner" owe their existence (or at least their power) to it.