6.1/10
7,005
132 user 129 critic

The Car (1977)

A mysterious black, sleek automobile terrorizes everyone it comes into contact with in a small town in Utah. The local sheriff may be the only person who can stop this menace which has been possessed by pure evil.

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Writers:

(screenplay), (screenplay) | 3 more credits »
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Cast

Cast overview, first billed only:
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Elizabeth Thompson ...
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Kate Murtagh ...
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Henry O'Brien ...
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Lee McLaughlin ...
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Storyline

Near the small desert town of Santa Ynez, a mysterious black car runs down two teenage bicyclers en route to camp, then it hit-and-runs a hitchhiker with local Amos Clements as witness. Sheriff Everett puts his men on alert and plants road blocks in the area to arrest the murderer, but soon he himself falls victim to the car. Sheriff Wade Parent leads the hunt for the vehicle that threatens their town and seems impossible to locate. When his beloved girlfriend, teacher Lauren Humphries, challenges the driver in a cemetery, the car hunts her in her home. Wade realizes he might be dealing with supernatural powers. Written by Claudio Carvalho, Rio de Janeiro, Brazil / revised by statmanjeff

Plot Summary | Plot Synopsis

Taglines:

What evil drives... The Car See more »


Certificate:

PG | See all certifications »

Parents Guide:

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Details

Country:

Language:

Release Date:

13 May 1977 (USA)  »

Also Known As:

Wheels  »

Filming Locations:

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Company Credits

Production Co:

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Technical Specs

Runtime:

Sound Mix:

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Color:

(Technicolor)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

In order to give "the car" a "sinister" look as requested by director Elliot Silverstein, car customizer George Barris made the car's roof three inches (7.6 cm) lower than usual and altered its side fenders that same length again both higher and longer. See more »

Goofs

Wade's helmet appears & disappears during the desert chase scene near the end of the movie. See more »

Quotes

Lauren: [taunting the car's unseen driver] Hey, you! Why don't you get outta your big ugly car, huh? We'd like to see what you look like. I'd like to see what a creep like you looks like!
[the car angrily drives around in circles and then stops]
Lauren: Well, come on, come on, get outta your car, huh? Let us all see what a lunatic son of a bitch you are! Come on, crawl out! I'll let you crawl out! Oh, I got your story now! I see! As long as you're in your car, you're big, and you're bad! Come on, let me tell you...
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Connections

Featured in Svengoolie: The Car (2007) See more »

Soundtracks

Semper Fidelis
(uncredited)
Music by John Philip Sousa
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Frequently Asked Questions

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User Reviews

 
Driving Home Terror!
18 July 2006 | by (Central Canada) – See all my reviews

Anyone who sets aside time for a movie about a possessed car that runs people down knows they're not not going to get an Oscar winner. Still, THE CAR is a decent (though largely forgettable) little 1970s horror film.

THE CAR is reasonably paced with enough unique qualities that its intended audience won't be completely disappointed. A wry James Brolin stars as a small town sheriff leading the charge against the big ugly car as it mows down innocent cyclists, antagonizes school children and plows through homes. The characters are surprisingly developed, believable characters who react to this madness as (probably) you or I would. It's director Elliot Silverstein's willingness to take the story seriously, avoiding obvious opportunities for campiness, that makes the automobile (custom made for the film) a dynamic villain. That said, at no point is THE CAR particularly scary. Then again, how many horror films actually are?

What's interesting about THE CAR is that no one, not even the audience, knows where the vile vehicle came from. It simply shows up on an otherwise beautiful day. Some might see this as a cop out, but Silverstein, who cut his teeth on THE TWILIGHT ZONE, among other TV series, wisely understood one of the enduring rules of horror: some things are better left unexplained. The film's climax does reveal who was behind the wheel (if you haven't seen it, I won't spoil it), but the hows and whys of the situation remain up to our individual interpretations.

There's not a great deal of appeal in THE CAR to those outside its target audience of popcorn-munching horror buffs. But if you find the film's premise irresistible, you'll want to take THE CAR for a spin.


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