| Walter Matthau | ... | Captain Thomas Bartholomew Red | |
| Cris Campion | ... | The Frog - Jean-Baptiste | |
| Damien Thomas | ... | Don Alfonso de la Torré | |
| Olu Jacobs | ... | Boomako | |
| Ferdy Mayne | ... | Captain Linares | |
| David Kelly | ... | Surgeon | |
| Tony Peck | ... | Spanish Officer (as Anthony Peck) | |
| Anthony Dawson | ... | Spanish Officer | |
| Richard Dieux | ... | Spanish Officer | |
| Jacques Maury | ... | Spanish Officer | |
| José Santamaría | ... | Master at Arms (as Jose Santamaría) | |
| Robert Dorning | ... | Commander of Marines | |
| Luc Jamati | ... | Pepito Gonzalez | |
| Emilio Fernandez | ... | Angelito (as Emilio Fernandez) | |
| Wladyslaw Komar | ... | Jesus (also as Wladislaw Komar) | |
| Georges Trillat | ... | Pockmarked Sailor | |
| Richard Pearson | ... | Padre | |
| Charlotte Lewis | ... | María-Dolores de la Jenya de la Calde | |
| Georges Montillier | ... | Duenna | |
| John Gill | ... | Carpenter | |
| David Foxxe | ... | Cook | |
| Brian Maxine | ... | Boatswain | |
| Raouf Ben Amor | ... | Armoury Guard | |
| Eugeniusz Priwieziencew | ... | Hunchback | |
| Roger Ashton-Griffiths | ... | Moonhead | |
| Ian Dury | ... | Meat Hook | |
| Bill Stewart | ... | Ginge | |
| Sydney Bromley | ... | Diddler | |
| Cardew Robinson | ... | Lawyer | |
| Roy Kinnear | ... | Dutch | |
| Daniel Emilfork | ... | Hendrik | |
| Carole Fredericks | ... | Surprise | |
| Allen Hoist | ... | Fiddler | |
| Denis Fontayne | ... | Sailor | |
| Michael Elphick | ... | Sentry | |
| Angelo Casadei | ... | Sentry | |
| Bill Fraser | ... | Governor | |
| Antonio Spoletini | ... | Palace Guard | |
| Bill MacCabe | ... | Jailer | |
| Smilja Mihailovitch | ... | New Duenna | |
| Bernard Musson | ... | Passenger | |
| Josine Comellas | ... | Passengers Wife | |
| rest of cast listed alphabetically: | |||
| Gina Calabrese | ... | (uncredited) | |
Directed by | |||
| Roman Polanski | |||
Writing credits(in alphabetical order) | ||
| Gérard Brach | writer (as Gerard Brach) | |
| John Brownjohn | screenplay collaboration | |
| Roman Polanski | writer | |
Produced by | |||
| Tarak Ben Ammar | .... | producer | |
| Mark Lombardo | .... | co-executive producer | |
| Thom Mount | .... | executive producer | |
| Umberto Sambuco | .... | co-executive producer | |
Original Music by | |||
| Philippe Sarde | |||
Cinematography by | |||
| Witold Sobocinski | |||
Film Editing by | |||
| Hervé de Luze | |||
| William Reynolds | |||
Casting by | |||
| Dominique Besnehard | |||
| Mary Selway | |||
| Maude Spector | |||
Production Design by | |||
| Pierre Guffroy | |||
Set Decoration by | |||
| Bruno Cesari | (uncredited) | ||
Costume Design by | |||
| Anthony Powell | |||
Makeup Department | |||
| Jean-Pierre Eychenne | .... | makeup artist (uncredited) | |
Production Management | |||
| Pino Butti | .... | production manager (uncredited) | |
| Vittorio Noia | .... | production manager (uncredited) | |
Second Unit Director or Assistant Director | |||
| John Lvoff | .... | second assistant director (uncredited) | |
Art Department | |||
| Taieb Jallouli | .... | set dresser: Tunisia (uncredited) | |
| Domenico Mancino | .... | blacksmith (uncredited) | |
| Miki Zachar | .... | assistant art director (uncredited) | |
Sound Department | |||
| Jean-Pierre Ruh | .... | sound | |
| Ray Gillon | .... | stereo sound consultant: Dolby (uncredited) | |
| Laurent Quaglio | .... | sound editor (uncredited) | |
| Laurent Quaglio | .... | sound (uncredited) | |
Special Effects by | |||
| Antonio Corridori | .... | special effects (uncredited) | |
| Franco Ragusa | .... | special effects (uncredited) | |
Stunts | |||
| Ryszard Janikowski | .... | stunts | |
| Richard Graydon | .... | stunts (uncredited) | |
| Zbigniew Modej | .... | stunt double (uncredited) | |
Camera and Electrical Department | |||
| Jürgen Vollmer | .... | still photographer (uncredited) | |
Music Department | |||
| Billy Byers | .... | conductor (as Bill Byers) | |
| William Flageollet | .... | music recording mixer | |
| Orchestre de Paris | .... | orchestra | |
Other crew | |||
| William Hobbs | .... | fight stager | |
| Albert Galea | .... | location manager: Malta (uncredited) | |
| Franco Penna | .... | production accountant (uncredited) | |
| Roberto Penna | .... | production accountant (uncredited) | |
| Lonnie Ramati | .... | production business affairs (uncredited) | |
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| Pirates of the Caribbean: Dead Man's Chest | The Spanish Main | The Secret of Treasure Island | Die Schatzinsel | Shrek the Third |
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| Full cast and crew | Company credits | External reviews |
| IMDb Adventure section | IMDb France section | Add this title to MyMovies |
When I was a kid growing up I got into this PC game called Sid Meier's Pirates. I wanted to do everything pirate related. For some reason I never fully identified with the Errol Flynn pirate. He was always a good guy, who got caught up in the circumstances and was still trying to be a good guy. He was always chivalrous, clean and relatively good looking. Thank the contents of Davey Jones' locker for Roman Polanski. In all honesty, it was the VHS cover that first attracted me to this movie : Walter Matthau dressed up as a disheveled looking Captain Morgan, cutlass drawn and pointed as us.
The movie revolves mainly around the exploits of the stool-legged Captain Bartholomew Red (Mathau) and his French first mate (who at times resembles dinner), the Frog. On the heels of their last adventure (see Boca del Toro), the movie starts out in the middle of the ocean with our two protagonists on a raft floating around, mad with hunger. After encountering a Spanish galleon (the Neptune) and performing a self-rescue, the story shifts into main gear : the Aztec Throne of Zapotec Anahuak.
This is by far my favorite pirate movie. It has all the right elements - action, adventure, ship battles, wooden appendages, sword fighting, humor, barrels of rum, gold, prison, cross dressing, cockney accents, love, large feathery hats, giant wigs and even the attractive Charlotte Lewis (remember Eddie's love interest from the Golden Child). Walter Matthau is clearly the standout character in this movie. His Captain Red is an amalgamate of various pirates but yet stands on its own because of Matthau. Red is haughty, greedy, ambitious, inspirational, conniving, and single-minded when it comes to gold. This is made all the more apparent by the juxtapose to his highly idealistic first mate. Where as Captain Jack Sparrow is a bit on the weaselly side, Captain Red is more like a scraggly wolf. It was also beneficial that Matthau was a tall 6 foot 3 inches tall, giving Captain Red a larger than life persona. If not for Keith Richards, I think Captain Red could have been more than an appropriate inspiration for Mr. Depp.
Roman Polanski does an excellent job in de-glamorizing the pirate lifestyle. Even Captain Jack Sparrow is a bit on the tame side (Thank You Disney). If Errol Flynn was the prototype, then Walter Matthau is the grittier, colorized version. What Polanski did for vampires with the Fearless Vampire Killers, he does the same for the pirate genre with this movie. On top of the typical "pirate" behavior, Polanski has even added commentary on the day. This would include the class divisions between the officers and crew, the political strife between the English, Dutch, French and the haughty Spanish (the RIAA of the day) and the unquenchable lust for gold.
This movie was maligned by the critics when it came out and has since sunk into anonymity. This should not be so. It contains one of Matthau's best performances and is the best pirate movie ever made. Unfortunately, if you don't like pirates or adventure movies, then you probably will like the English Patient and not this. For everyone else, I highly recommend the Spanish (manga films) region 2 DVD of this movie (presented in anamorphic 16x9).
-Celluloid Rehab