Forrest Bedford is a Southern lawyer in the late 1950s, generally content with his privileged life. But the winds of change are blowing, and he becomes increasingly involved with civil ... See full summary »
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1993   1992   1991  
Won 2 Golden Globes. Another 31 wins & 37 nominations. See more awards »
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Cast

Series cast summary:
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 Christina LeKatzis 38 episodes, 1991-1993
Peter Simmons ...
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 Adlaine Harper 19 episodes, 1991-1993
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Storyline

Forrest Bedford is a Southern lawyer in the late 1950s, generally content with his privileged life. But the winds of change are blowing, and he becomes increasingly involved with civil rights cases. Mean- while, Lilly Harper, who cares for his children, is on her own journey of political and personal awareness. Written by Cleo <frede005@maroon.tc.umn.edu>

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Drama

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7 October 1991 (USA)  »

Also Known As:

Io volerò via  »

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1.33 : 1
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Did You Know?

Trivia

The role of Nathaniel 'Nathan' Bedford was played in the pilot by Jason London. When the series was picked up for more episodes, Jason was already committed to filming The Man in the Moon (1991)'. He suggested that his twin brother, Jeremy, replace him in the series. However, Jason took over the role again in late 1993 for the series' two-hour conclusion ("I'll Fly Away: Then & Now") when Jeremy was shooting another project. See more »

Quotes

[Francie and John Morgan are fighting in the back seat]
D.A. Forrest Bedford: If I have to stop this car somebody's going to regret it!
See more »

Connections

Followed by I'll Fly Away: Then and Now (1993) See more »

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User Reviews

An incredible series that I'm amazed was originally on commercial TV.
18 July 2005 | by See all my reviews

Respectfully, I disagree with the one comment posted so far.

My wife and I discovered this series when it was on PBS. As stated, we are amazed that something this good was originally on commercial TV. Is it totally unrealistic that a maid would ultimately be that outspoken, and that a Southern white lawyer could slowly have his eyes opened? Maybe. But I think the key is that everything developed slowly, over time. There were no unrealistically sudden conversions.

Among the other things that impressed us: There were no easy answers; every episode, it seems, almost painfully explored issues with complexity. If you want easy answers, this is not the series for you.

"To Kill a Mockingbird" was certainly a classic (although, as my 85 year-old father has observed, Gregory Peck played the same essential character in virtually every movie.) And it may be true that its characterization was true of the vast majority of even well-meaning southern whites. But I accept the possibility that, even in that time, at least one person of color "pushed the envelope". And that at least one Southern white of good heart found himself or herself slowly transformed.

If you can accept this, admire this series for its excellent performances and refusal to take the easy way out in any episode.


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