When three star General Irwin is transferred to a maximum security military prison, its warden, Colonel Winter, can't hide his admiration towards the highly decorated and experienced soldier. Irwin has been stripped of his rank for disobedience in a mission, but not of fame. Colonel Winter, who runs the prison with an iron fist, deeply admires the General, but works with completely different methods in order to keep up discipline. After a short while, Irwin can feel Winter's unjust treatment of the inmates. He decides to teach Winter a lesson by taking over command of the facility and thus depriving him of his smug attitude. When Winter decides to participate in what he still thinks of as a game, it may already be too late to win. Written by
Julian Reischl <firstname.lastname@example.org>
One of the medal ribbons on General Irwin's uniform (which he wears when he first arrives at the prison) is the Medal of Honor, the U.S. Military's highest decoration, awarded for acts of extreme bravery in combat. It's the blue one at the top of his rows of ribbons. See more »
If Aguilar was a Marine, he should have been familiar with how to salute and the history behind the salute. See more »
[while in his cell]
Well, I thought your father was a good man. How's he doing?
Oh. Sorry to hear that. What happened?
He came home.
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Written by Jim Sumber, Dave Jay (as Dave Bumpstead) & Austin Reynolds
Performed by Soul Hooligan
Courtesy of Maverick Recording Company
By Arrangement with Warner Special Products See more »
A prisoner's fantasy: decorated U.S. General Robert Redford has been Court Marshalled for disobeying orders during wartime--which resulted in the deaths of eight soldiers--and is sent to a prison for violent criminals (!). He immediately gets on the wrong side of warden James Gandolfini and rallies the inmates to take control of the yard. Fairly typical genre picture with all the usual details, including the stuttering innocent whose bad treatment becomes a catalyst in the warring sides. The film is well-cast and has some fine passages, yet the heavy symbolism (with flying flags, chess moves and endless talk of castles) comes off as self-important in a movie which uses its entire second half to allow violent criminals to run roughshod over security. Redford gives a modest, self-effacing performance--he's so noble he's like visiting royalty; Gandolfini plays his Colonel like an offended child, affecting a soft but precise, lispy voice, giving the one-dimensional role some unexpected subtext. The handsomely photographed film looks great and works its way slyly on the viewer until all defenses are down, but in retrospect its earnestness seems woefully silly. **1/2 from ****
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