An unsuspecting, disenchanted man finds himself working as a spy in the dangerous, high-stakes world of corporate espionage. Quickly getting way over-his-head, he teams up with a mysterious femme fatale.
Hoping for a more exciting life than the suburban drawl he currently inhabits, nerdy salary man Morgan Sullivan takes a job as an industrial spy at Digicorp, a global computer corporation. Digicorp assigns him the duty of flying to various conventions around America, recording the speeches that are made. But when Sullivan meets a mysterious woman he begins to realize that his job may not be what it seems, as he descends into a dark underworld of brainwashing and struggles to maintain his own identity. Written by
The phone number encoded using Job 13:17 is 436-726-3993 uses the apparently unused area code 436. It also uses 726 for the exchange code, rather than the 555 usually used in most movies fictional works. See more »
When Morgan is given his fake California ID, it shows a Blue and a Red Bar below the name and address. The Blue line is to denote a provisional license for those under 18 at the time of issuance, and the red bar is to denote what year the ID holder turns 21. Morgan appears to be in his 30's, so there would be no colored bars on his ID. See more »
There was a stylish approach to this film on the part of director Vincenzo Natali with interesting camera angles and effective close-ups. It was also refreshing to see Jeremy Northam and Lucy Liu given leading roles and expanding their range as performers. This film also included one of the most imaginative "escape" scenes in recent years. The efforts of the director and the actors combined in an effective thriller.
Although the plotting of the film was convoluted, the story progressed very clearly as the layers of corporate greed and skullduggery were revealed.
In 1949, George Orwell suggested in his famous novel "1984" that the future would be ruled by the totalitarian State, which would control minds and diminish human liberty. It was interesting that in this intriguing futuristic film, it was not the State, but rather the corporate world that controlled and devalued the human worker.
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