| Bassem Breish | ... | Joker | |
| Mohamad Chamas | ... | Abed | |
| Brian Devlin | ... | Seamus the Publican | |
| Stephen Don | ... | RUC Officer | |
| Dany El Khoury | ... | Rida | |
| Lynn Farleigh | ... | John's Mother | |
| Ian Hart | ... | Brian Keenan | |
| Ziad Lahoud | ... | Said | |
| Aine Ni Mhuiri | ... | Brian's Mum | |
| Nayef Rashed | ... | Militia leader | |
| Linus Roache | ... | John McCarthy | |
| Paddy Rocks | ... | Brian's Dad | |
| Calum Whyte | ... | Belfast Boy |
Directed by | |||
| John Furse | |||
Writing credits(in alphabetical order) | ||
| John Furse | writer | |
Original Music by | |||
| Stephen McKeon | |||
Cinematography by | |||
| Ian Wilson | |||
Film Editing by | |||
| Kristina Hetherington | |||
Casting by | |||
| Victoria Beattie | |||
Production Design by | |||
| Andrew Sanders | |||
Art Direction by | |||
| Ian Bailie | (supervising art director) | ||
| Margaret Horspool | |||
| Stephen Simmonds | |||
Makeup Department | |||
| Lynne Mitchell | .... | makeup trainee | |
Production Management | |||
| Nick Laws | .... | production manager: Tunisia | |
| Suzanne McKenzie | .... | post-production manager | |
Art Department | |||
| Muir Balfour | .... | construction supervisor | |
| Cole Docherty | .... | stand-by carpenter | |
| Derek Fraser | .... | construction manager | |
| Russell Fulton | .... | construction manager | |
| Geoff Geddis | .... | dressing props | |
| John Ibbotson | .... | painter | |
| Tahar Lagha | .... | painter | |
| Keavy Lalor | .... | props buyer | |
| Darren Lyttle | .... | set dressings | |
| Campbell Mitchell | .... | property master | |
| Marina Morris | .... | props buyer | |
| Linda Murphy | .... | art department coordinator | |
| Alan Nixon | .... | stand-by carpenter | |
| Neill Paul | .... | carpenter | |
| Jim Reid | .... | carpenter | |
| Wes Rollins | .... | carpenter | |
| Paul Stewart | .... | props | |
Sound Department | |||
| Niall Brady | .... | sound editor | |
| Stuart Bruce | .... | sound mixer | |
| Caoimhe Doyle | .... | foley artist | |
| John Fitzgerald | .... | sound re-recording mixer | |
| Ken Galvin | .... | foley recordist | |
| Tom Johnson | .... | sound re-recording mixer | |
| David McMillan | .... | sound maintenance | |
| Nicky Moss | .... | sound designer | |
Stunts | |||
| Gary Connery | .... | stunt coordinator | |
| Donal O'Farrell | .... | stunt coordinator: Ireland | |
Camera and Electrical Department | |||
| Karim Ayari | .... | assistant camera: Tunisia | |
| Chris Belcourt | .... | stand-by rigger | |
| Julie Bills | .... | first assistant camera: second unit | |
| Julie Bills | .... | focus puller: second unit | |
| Lewis Buchan | .... | camera operator | |
| Paul Chedlow | .... | still photographer | |
| Andy Gardner | .... | focus puller | |
| George Geddes | .... | clapper loader | |
| Ross Grainger | .... | electrician | |
| Conor Hammond | .... | focus puller: second unit | |
| Ed Jones | .... | clapper loader: second unit | |
| Grant Maclean | .... | electrician | |
| Laurence Manly | .... | camera operator: second unit | |
| Laurence Manly | .... | director of photography: second unit | |
| David McAnulty | .... | grip | |
| David McAnulty | .... | key grip | |
| Brett McCrum | .... | electrician | |
| Brian McGhee | .... | generator operator | |
| Lotfi Siala | .... | electrician: Tunisia | |
| Garry Thomson | .... | best boy (as Gary Thomson) | |
| Morag Tinto | .... | camera trainee | |
| Jon White | .... | gaffer | |
Casting Department | |||
| Alex Johnson | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Basma Dhaouadi | .... | costume assistant: Tunisia | |
| Elaine Robertson | .... | costume assistant | |
| Joanna Weaving | .... | costume breakdown (uncredited) | |
Editorial Department | |||
| Gary Curran | .... | colorist | |
| Lorraine Keiller | .... | first assistant editor | |
| Eugene McCrystal | .... | on-line editor | |
| Jenny Stjernstrom | .... | second assistant editor | |
Music Department | |||
| Fraser Kennedy | .... | music supervisor | |
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| The Brylcreem Boys | I See a Dark Stranger | Radar Patrol vs. Spy King | Mountains of the Moon | Adventures of Frank and Jesse James |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb UK section | Add this title to MyMovies |
How to convey five years captivity in one hour and a half with the whole range of contradictory feelings. This is what Blind Flight is about: Beirut 1985, the true story of Keenan and McCarthy kidnapped by a militant Muslim fundamentalist group. One expects immediately a vision of "baddies V Goodies" but the film is a lot more subtle and fairer than that. The Muslim guardians, despite their violence (Lebanon was in a state of war), remain human, and not stereotyped. In fact they appear as victims of politics and in the same time they reproduce the system they are fighting. What is remarkable is the way John Furse maintains your interest throughout an almost static film; for instance one of the kidnapper is proud to show them his new born baby but he is also proud of his new kalachnikof. The film is intelligent, moving, funny and thought provoking. My thought was "what would I do in their place?". McCarthy and Keenan give us a lesson of courage and wisdom we have been longing for for decades. They don't save the world, they broaden its mind by undergoing the kind of test that enlightens what is important in life.
We were very lucky to meet John Furse the director and McCarthy at the end of the show. They were as genuine, interesting and lucid as their film. John Furse's talent makes me look forward for his next film.