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Wonder Woman (2017)

PG-13 | | Action, Adventure, Fantasy | 2 June 2017 (USA)
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IN THEATERS
When a pilot crashes and tells of conflict in the outside world, Diana, an Amazonian warrior in training, leaves home to fight a war, discovering her full powers and true destiny.

Director:

Writers:

(screenplay), (story by) | 3 more credits »
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7 ( 5)

'Wonder Woman' Is Here

Can't get enough of Wonder Woman? Explore the on-screen evolution of Wonder Woman, and check out 9 kickass women who put the super in superhero.

6 wins & 6 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Diana
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Artemis (as Ann J. Wolfe)
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Storyline

Diana, princess of the Amazons, trained to be an unconquerable warrior. Raised on a sheltered island paradise, when a pilot crashes on their shores and tells of a massive conflict raging in the outside world, Diana leaves her home, convinced she can stop the threat. Fighting alongside man in a war to end all wars, Diana will discover her full powers and her true destiny.

Plot Summary | Plot Synopsis

Taglines:

Power. Grace. Wisdom. Wonder. See more »


Motion Picture Rating (MPAA)

Rated PG-13 for sequences of violence and action, and some suggestive content | See all certifications »

Parents Guide:

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Details

Country:

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Language:

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Release Date:

2 June 2017 (USA)  »

Also Known As:

Wonder Woman  »

Box Office

Budget:

$149,000,000 (estimated)

Opening Weekend:

AED 4,969,132 (United Arab Emirates) (4 June 2017)

Gross:

$404,000,714 (USA) (20 August 2017)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Color:

(Technicolor)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Cobie Smulders was briefly considered for the role of Wonder Woman. Smulders went on to voice the character in the The Lego Movie (2014) and also appears in the Marvel Cinematic Universe as Agent Maria Hill. See more »

Goofs

All the building signs at the German airbase where the mustard gas is loaded into the bomber are in French, and so is the writing on the blackboard inside the command tower/office where Diana and Ludendorff fight. This makes sense given the geographical location of the base, namely Belgium where all military writings at this time were still in French instead of the Flemish (Dutch) spoken by many of the soldiers. See more »

Quotes

[first lines]
Diana Prince: I used to want to save the world. This beautiful place. But I knew so little then. It is a land of beauty and wonder, worth cherishing in every way. But the closer you get, the more you see the great darkness simmering within. And mankind? Mankind is another story altogether.
See more »

Crazy Credits

When the Warner Bros logo appears, the "Wonder Woman" cello theme is heard. See more »

Connections

Featured in Dawn of the Justice League (2016) See more »

Soundtracks

Sous les Ponts de Paris
Music by Vincent Scotto
Lyrics by Jean Rodor
Performed by Lucienne Delyle
Courtesy of Warner Music UK Ltd
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Boring and uneventful, just like all the other "Super Hero" movies.
24 September 2017 | by (United States) – See all my reviews

I would have given this comic book adventure a solid "3," but because of the vomitous array of hype surrounding this film, I couldn't do more. I can't believe the sheer amount of glowing comments I received regarding this truly forgettable film. Worse still, I purchased the DVD, only to donate it to the first pre-pubescent teenager I could find, moments later. To make this review mercifully short, NO amount of action or CGI special effects will ever make up for a great script, or great acting performances. That why, like sugar-sweet breakfast cereal, "Trix are for Kids," which this pile of overrated movie-making is. When I judge any film, I simply count how many times I YAWN during the movie. I can't even count how many times I yawned watching this tedious bore, out loud. The writing was comic book, the acting was comic book, and so was the water-weak plot. But where the director REALLY took a stumble was during the midpoint, where this action flick suddenly took an unexpected (and fatal) 180-degree change of pace, attempting to build on the love affair between the principals by inserting a useless "serious" moment in the play that only succeeded in unnecessarily slowing the film's genre pace to a bizarre exposition of supposed "seriousness" where it had no business being at all. There is no way on earth I would sit through another WW sequel, and certainly not with this director at the helm.


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