(2015)

Critic Reviews

64

Metascore

Based on 43 critic reviews provided by Metacritic.com
80
Reed’s movie succeeds well enough as a genial diversion and sometimes a delightful one, predicated on the rarely heeded Hollywood wisdom that less really can be more.
80
What we’ve seen since the beginnings of the Marvel serial in 2008 is an ongoing stretching: bigger casts, grander set-pieces and more intricate interplay between characters, with no clear end in sight. Ant-Man scuttles off in the other direction. Brisk humour, keenly felt dramatic stakes, and invention over scale. You know: small pleasures.
80
It’s Ant-Man, not pants, man. Marvel passes its biggest test in years with flying critters… plus wit, flair, top-notch casting and some good, gratuitous size gags.
80
A science-fiction, action-heist, superhero comedy soap opera, this straddles as many genres as the Avengers films have characters but manages to do most of them pretty well. Extremely likable, with a few moments of proper wonder.
62
There are individual pieces of the movie that work wonderfully.... Unfortunately, this is also the kind of movie where talented actors do some of their least notable work.
60
The Hollywood Reporter
Although the story dynamics are fundamentally silly and the family stuff, with its parallel father-daughter melodrama, is elemental button-pushing, a good cast led by a winning Paul Rudd puts the nonsense over in reasonably disarming fashion.
60
Rudd’s affable wit makes him a perfect choice for the part. But his performance is uncharacteristically inhibited, as if he felt there was too much at stake to try something new.
58
Size may not matter in this diminutive story, but the film's slight, disposable quality hardly qualifies it as an essential tale to astonish.
50
Screen International
Jokey rather than funny, and a bit forced when it’s trying to be sincere, Ant-Man has plenty of enthusiasm but not a lot of inspiration.
40
Ant-Man is a cut-and-shut muddle, haunted by a ghost, produced by a high-end hot dog factory, by turns giddying and stupefying. Watching it is like channel-surfing between "Hot Fuzz", a duff early 90s Michael Douglas drama and the very schlockiest bits of "Interstellar".

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