Transported to Barsoom, a Civil War vet discovers a barren planet seemingly inhabited by 12-foot tall barbarians. Finding himself prisoner of these creatures, he escapes, only to encounter Woola and a princess in desperate need of a savior.
The son of a virtual world designer goes looking for his father and ends up inside the digital world that his father designed. He meets his father's corrupted creation and a unique ally who was born inside the digital world.
A factory worker, Douglas Quaid, begins to suspect that he is a spy after visiting Rekall - a company that provides its clients with implanted fake memories of a life they would like to have led - goes wrong and he finds himself on the run.
Extraordinary teen John Smith (Pettyfer) is a fugitive on the run from ruthless enemies sent to destroy him. Changing his identity, moving from town to town with his guardian Henri (Olyphant), John is always the new kid with no ties to his past. In the small Ohio town he now calls home, John encounters unexpected, life-changing events-his first love (Agron), powerful new abilities and a connection to the others who share his incredible destiny. Written by
Walt Disney Pictures
When returning to Paradise, Ohio from Warsaw, Indiana, John and Sam stop by a rail track to assist Henry, and an AVR (Allegheny Valley Railroad) train passes them. The AVR services Pennsylvania (which is where the movie was shot) but has no trackage or trains serving anywhere between Paradise, Ohio (just south of Youngstown) and Warsaw, Indiana (west of Fort Wayne). See more »
You know, showboating like that just make you look desperate.
Yeah, "Look at me. I can flip my ski."
See more »
Clouds blow over the DreamWorks SKG logo which then reveals a shot from space See more »
I have complained many times about the films which pretend to capture the same childish spirit from Harry Potter. However, the flood of Harry Potter imitators seems to have diminished in recent months. The reason? The success of the Twilight saga provoked a "change of direction" from the Hollywood executives, and instead of exploring variations of "magic boys save the world", they are now desperately searching for new instances of "forbidden romances between teenagers with supernatural powers". For better or for worse, I Am Number Four belongs to this nascent sub-genus, and I found it to be boring and lacking of any emotion and originality.
I Am Number Four covers a well-known ground from the fantastic cinema as well as from the juvenile romance one. And I am not precisely against of that; director D.J. Caruso previously made two unoriginal but dynamic and entertaining movies (Disturbia and Eagle Eye), something which gave me hopes of finding some redeemable elements in I Am Number Four. Unfortunately, very few things worked in this movie (at least in my personal experience), because I could never get interested in the characters or in their forced romance, and much less in the horribly trite sci-fi concepts with which it pretends to adorn its tiring narrative.
To start with...Mogadorians? Was that the best name which came to mind to author Pittacus Lore (in fact a pseudonym of Jobie Hughes and James Frey) for the villains of the book on which this movie was based? Sure, the name by itself does not have too much importance, but it is a good example of the creativity level from the whole film. The heroes are handsome young people who look like models; the villains are bald and pale, with piranha teeth, and they suffer from the "talkative villain syndrome", revealing their plans or talking more than they should when they could easily exterminate the heroes.
One of the few things I liked in I Am Number Four is Teresa Palmer's energetic performance. In fact, I think the film would have been much more entertaining with her in the leading role, instead of the insipid couple of Alex Pettyfer and Dianna Agron. However, I cannot recommend this film, because I found it to be bland, repetitive and tedious.
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