Robbed of his birthright, Arthur comes up the hard way in the back alleys of the city. But once he pulls the sword from the stone, he is forced to acknowledge his true legacy - whether he likes it or not.
After her last encounter, Ripley crash-lands on Fiorina Fury 161, a maximum security prison. When a series of strange and deadly events occur shortly after her arrival, Ripley realizes that she brought along an unwelcome visitor.
Charles S. Dutton,
In the near future, a weary Logan cares for an ailing Professor X, somewhere on the Mexican border. However, Logan's attempts to hide from the world, and his legacy, are upended when a young mutant arrives, pursued by dark forces.
57 years later, Ellen Ripley is rescued by a deep salvage team during her hypersleep. The moon from the original movie has been colonized, but contact is lost. This time, colonial marines have impressive firepower, but will that be enough?
Almost eleven years after the futile and disastrous expedition on the distant moon LV-223, the deep-space colonisation vessel Covenant equipped with more than 2,000 colonists in cryogenic hibernation, sets a course for the remote planet Origae-6 with the intention to build a new world. Instead, a rogue transmission will entice the crew to a nearby habitable small planet which resembles The Earth. The unsuspecting members of Covenant will have to cope with biological foes, beyond human comprehension. Ultimately, what was intended as a peaceful exploratory mission, will soon turn into a desperate rescue operation deep into the cold infinite space. Written by
Upon emergence, the Neomorph greatly resembles a Runner chestburster, having limbs and moving quadrupedally. It becomes more humanoid and bipedal upon maturity. See more »
Near the end of the film, David asks the computer ("Mother") to play the entrance to ValHalla from Act 2 of Wagner's "Das Rheingold". The opera consists of 4 scenes in a single act, and the music is from Scene 4. See more »
Let Me Down Easy
Written by Paolo Nutini, Roland 'Rollo' Armstrong (as Rollo Armstrong), James McDougal and Wrecia Holloway
Performed by Paolo Nutini
Courtesy of Warner Music U.K. Ltd. / Atlantic Recording Corp.
By arrangement with Warner Music Group Film & TV Licensing See more »
No suspense. No Horror. A permanent stain on the franchise that makes you feel dirty after having watched it.
I had pretty much no expectations going into this film. I had avoided much of the marketing material beforehand and knew very little about it other than it being a sequel to Prometheus, which I actually thought was a half decent film and a worthy prequel to Alien.
I'm not sure what went wrong with this film, but it is no exaggeration to say it is one of the worst films I've had the misfortune of sitting through. There is not one redeeming scene. The story is disjointed and quite frankly a complete mess. The editing is horrendous, the score completely forgettable and the cinematography is weirdly terrible.
Even Michael Fassbender cannot save this awful dirge. The CGI xneomorph will haunt my dreams for quite some time. Not because it's an imposing and scary alien in this film, but because the CGI is some of the worst you'll see from a movie this year.
Alien and Alien 2 were as close to cinematic perfection as you're going to get. Please avoid this dreadful film.
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