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The Conjuring 2 (2016)

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Ed and Lorraine Warren travel to North London to help a single mother raising 4 children alone in a house plagued by a supernatural spirit.

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Cast

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Demon Voice (voice)
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Storyline

In 1977, paranormal investigators Ed and Lorraine Warren travel to London, England, where single mother Peggy Hodgson believes that something evil is in her home. When Peggy's youngest daughter starts showing signs of demonic possession, Ed and Lorraine attempt to help the besieged girl, only to find themselves targeted by the malicious spirits.

Plot Summary | Plot Synopsis

Taglines:

The next true story from the case files of Ed and Lorraine Warren


Motion Picture Rating (MPAA)

Rated R for terror and horror violence | See all certifications »

Parents Guide:

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Details

Country:

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Language:

Release Date:

10 June 2016 (USA)  »

Also Known As:

The Conjuring - Il caso Enfield  »

Filming Locations:

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Box Office

Budget:

$40,000,000 (estimated)

Opening Weekend USA:

$40,406,314, 12 June 2016, Wide Release

Gross USA:

$102,470,008

Cumulative Worldwide Gross:

$320,270,008
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

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Color:

Aspect Ratio:

2.39 : 1
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Did You Know?

Trivia

It had the biggest opening weekend gross for a horror film in three years. The previous film being The Conjuring (2013). See more »

Goofs

When Maurice Grosse speaks with the possessing spirit Bill, the spirit plays the Knock, Knock game. Grosse is recorded as clearly pausing for a second or so before saying in a flat tone with a falling inflection, "Very well, who's there?" When the recording is later played by Father Gordon to the Warrens, Grosse is heard responding almost immediately to Bill and with a rising inflection. Even allowing for frequency shifts due to tape-recorder play-back speed, there shouldn't be an inflection change unless the played-back version is a different recording altogether. See more »

Quotes

[first lines]
Lorraine Warren: After everything we've seen, there isn't much that rattles either of us anymore. But this one... this one still haunts me.
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Crazy Credits

During the end of the first set of credits, you can hear the actual recording of Ed Warren talking to Janet. See more »

Connections

Referenced in Half in the Bag: The Mummy (2017) See more »

Soundtracks

There Was A Crooked Man
Written by Joseph Bishara
See more »

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User Reviews

 
The Conjuring 2 is best when it sticks to the basics
8 June 2016 | by See all my reviews

First, the all-important question: Is The Conjuring 2 scary? Like, jump out of your seat, watch through your outstretched fingers scary? The answer to that is "yes." Under James Wan's direction, even the most clichéd haunted-house tropes (and this movie is bursting with them) are genuinely creepy, and although the movie isn't overly reliant on jump scares, the ones it does use—well, they work. On a lizard-brain level, The Conjuring 2 taps into the universal childhood fear of the dark, and some of its simplest moments—like a little girl hiding under the covers with a flashlight—are its most effective, bolstered by skillfully executed sound design and Don Burgess' gloomy cinematography.

Speaking of tropes, that's where the "based on a true story" bit comes in. The main plot of the film revolves around a real-life incident known as the Enfield Poltergeist, an extremely well-documented case of a supposed ghost who terrorized the Hodgson family of North London from 1977 to 1979 and was apparently a fan of the classics: knocking on walls, shaking beds, throwing furniture, and even the occasional haunted kid's toy. And as malevolent spirits often do, it picked on one of the children in particular, 11-year-old Janet Hodgson (Madison Wolfe). Call it a collective delusion, or a desperate cry for attention from a disturbed child. Or call it what the movie very explicitly calls it: The Devil.

With this installment, the Conjuring movies may have overtaken The Exorcist as the most Christian of horror franchises, taking place in a universe where the Catholic Church is the spiritual S.H.I.E.L.D. and demon hunters Ed (Patrick Wilson) and Lorraine Warren (Vera Farmiga) its holy roller super-agents. The film opens with the Warrens investigating the famous Amityville case, during the course of which Lorraine first encounters the hellish presence that will haunt her for the next few years. Fearing for his life, she begs her husband to suspend any future paranormal investigations, to which he reluctantly agrees. Until, that is, a priest arrives to give them their next mission: Travel to London and confirm the veracity of reports of a demonically tinged haunting.

Both Farmiga and Wilson are given their chance to shine in spooky set pieces—Farmiga early on in the film, Wilson later. But while they're both convincing in spiritual warrior mode, Wan's decision to play up the romance between the two doesn't quite work. We knew that the Warrens were a happily married couple in the first movie, but having them each individually tell the story of their paranormal love and Ed make suggestive comments about the sleeping arrangements seems odd, maybe because they're flirting in front of a possessed pre-teen whose soul is currently in the process of being swallowed by the Pit. (On the other hand, this is just another day at the office for the Warrens.) The non-horror elements of the film are uneven in general: The score, so effective in the fright scenes, suddenly evokes eye rolls when things start to get sentimental, and there's one scene of unintentional comedy where the film's retro '70s setting—another element downplayed in the first film but foregrounded here—collides with its demonic imagery in an honestly pretty silly way. (The Conjuring 2 shares its predecessor's eye for period details, some of which seem out-and-out ridiculous until they're juxtaposed with photos of their real-life counterparts in the end credits. The on-the-nose pop music gets no such redemption.) That being said, there are also some truly funny moments, like a shot of the Hodgson family running from their haunted house after a particularly intense bout of psychokinetic activity that riffs on smartasses' favorite retort, "Why don't they just move?" (And, for the record, they don't move because it's public housing, and the local council, which is naturally quite skeptical of the whole "ghost" thing, has to approve the relocation.) It's also worth noting that The Conjuring 2 is more than two hours long, allowing for lots of escalation. And while each individual haunting scene can be white-knuckle intense, by the dozenth or so such shock, the film starts to lose momentum. So the final confrontation, when it does come, is a relief in more ways than one. The long running time also allows Wan to overthink his demonology: The main villain, an infernal nun, is appropriately nightmarish, if reminiscent of the veiled "Bride In Black" from Wan's own Insidious. What's less compelling is the insertion of the "Crooked Man," a storybook scarecrow monster that starts spreading Babadook-esque chaos about halfway through and is explained as the demon assuming a form that's familiar to the Hodgsons. Which would be fine, if it weren't for the two familiar forms that the spirit has taken already.

When The Conjuring 2 focuses its efforts on scaring the audience, it succeeds, wildly. And why wouldn't it? Wan's got his horror technique locked down at this point. It's the parts where it wanders away from the basics of creating and releasing tension that prevent it from outdoing its predecessor.


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