7.5/10
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Moonlight (2016)

R | | Drama | 18 November 2016 (USA)
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A chronicle of the childhood, adolescence and burgeoning adulthood of a young, African-American, gay man growing up in a rough neighborhood of Miami.

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Writers:

(screenplay by), (story by)
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Popularity
294 ( 8)
Won 3 Oscars. Another 212 wins & 259 nominations. See more awards »
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Cast

Cast overview, first billed only:
...
Shariff Earp ...
...
Azu (as Duan 'Sandy' Sanderson)
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Little (as Alex Hibbert)
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...
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Herman 'Caheei McGloun ...
Longshoreman (as Herman 'Caheej' McGloun)
Kamal Ani-Bellow ...
Portable Boy 1
Keomi Givens ...
Portable Boy 2
Eddie Blanchard ...
Portable Boy 3
Rudi Goblen ...
Gee (as Rudi Goblin)
...
...
Mr. Pierce
...
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Storyline

Three time periods - young adolescence, mid-teen and young adult - in the life of black-American Chiron is presented. When a child, Chiron lives with his single, crack addict mother Paula in a crime ridden neighborhood in Miami. Chiron is a shy, withdrawn child largely due to his small size and being neglected by his mother, who is more concerned about getting her fixes and satisfying her carnal needs than taking care of him. Because of these issues, Chiron is bullied, the slurs hurled at him which he doesn't understand beyond knowing that they are meant to be hurtful. Besides his same aged Cuban-American friend Kevin, Chiron is given what little guidance he has in life from a neighborhood drug dealer named Juan, who can see that he is neglected, and Juan's caring girlfriend Teresa, whose home acts as a sanctuary away from the bullies and away from Paula's abuse. With this childhood as a foundation, Chiron may have a predetermined path in life, one that will only be magnified in terms... Written by Huggo

Plot Summary | Plot Synopsis

Taglines:

This is the story of a lifetime.

Genres:

Drama

Motion Picture Rating (MPAA)

Rated R for some sexuality, drug use, brief violence, and language throughout | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

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Country:

Language:

Release Date:

18 November 2016 (USA)  »

Also Known As:

Luz de luna  »

Filming Locations:

 »

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Box Office

Budget:

$1,500,000 (estimated)

Opening Weekend USA:

$402,075, 23 October 2016, Limited Release

Gross USA:

$27,850,912, 28 April 2017

Cumulative Worldwide Gross:

$55,561,162, 20 March 2017
See more on IMDbPro »

Company Credits

Production Co:

, ,  »
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Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Director Barry Jenkins' favorite scene in his film was an impromptu sequence of Paula staring straight into the camera over-cranked at 48fps. This was a last-minute decision by Jenkins specifically intended to fully engage the audience with Paula's character. See more »

Goofs

During a majority of Little's timeline (which is supposed to be set around the 1980s or 1990s), modern day cars are shown driving around - especially when Juan drives Little around in his car. See more »

Quotes

[First Lines]
Juan: Business good?
Terrence: Business good. Everybody cleaned out, it's in the cut if you want it.
See more »

Crazy Credits

There are no opening credits. See more »


Soundtracks

Hello Stranger
Written by Barbara Lewis
Performed by Barbara Lewis
Warner-Tamerlan Publishing Corp. (BMI)
Courtesy of Atlantic Recording Corp.
By Arrangement with Warner Music Group Film & TV Licensing
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Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Identity Takes Time to Discover
2 November 2016 | by See all my reviews

To solely categorize this film as an examination of Chiron, a young African American who has to deal with being gay is accurate but inadequate. It wouldn't be inadequate to also categorize it as a movie about drug abuse, school bullying, and isolation. However, if someone were to ask me what MOONLIGHT is truly about I would say that, at it's core, it's a film about teaching a child how to swim, feeling the sand on your skin, and cooking a meal for an old friend.

Director Berry Jenkins is not afraid to be poetic, to guide his film away from conventional storytelling and offer his audience something to connect to in their own way. The way his camera roams around is sensually magnificent; he knows when to cut to the next shot and when to linger a few seconds longer. But above all else, his ability to add an extra texture to each scene is awe-inspiring; it's more than just style for the sake of style; it's essential to the movie's argument.

From the very first shot to the very last, MOONLIGHT is about as beautiful a movie as you're likely to see this year. The colours are rich and luminous; James Laxton's cinematography is visually immersive leaving you stranded inside the story of the film. It moves at a smooth, welcoming pace. The music, whether it be the classical or hip-hop selections as well as Nicholas Britell's subtle score, is perfect. And the performance are, well… they're the cherry on top.

It's uncanny how similar the 3 actors, who played the kid, teenage, and adult versions of Chiron behaved and acted; you'd almost think it was the same actor who played all three roles. Mahershala Ali and Naomie Harris are more deserving of Oscar nominations than just about anyone I've seen this year. They may be the standouts, but all the performances, ranging from the children to the adults, are so raw and powerful; a standing ovation for the casting director is in order.

But perhaps the thing about this movie that deserves the most acclaim is its open-endedness; it's fight against straightforward categorization and recap. MOONLIGHT so much more than a movie about growing up gay; it's about overcoming your adversities and, despite being a product of your environment, figuring out who you want to become. Identity takes time to discover, and that's something anyone can relate to.


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