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Wind River (2017)

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A veteran tracker with the Fish and Wildlife Service helps to investigate the murder of a young Native American woman, and uses the case as a means of seeking redemption for an earlier act of irresponsibility which ended in tragedy.

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18 ( 6)
4 wins & 3 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Natalie
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Wilma
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Casey
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Dan Crowheart
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Ben
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Alice Crowheart
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Dr. Whitehurst
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Martin
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Annie
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Sam Littlefeather (as Tokala Clifford)
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Chip
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Frank
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BIA Officer #1 (as Shayne Joel Cullen)
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Storyline

A veteran tracker with the Fish and Wildlife Service helps to investigate the murder of a young Native American woman, and uses the case as a means of seeking redemption for an earlier act of irresponsibility which ended in tragedy.

Plot Summary | Plot Synopsis

Taglines:

Nothing is harder to track than the truth See more »


Motion Picture Rating (MPAA)

Rated R for strong violence, a rape, disturbing images, and language | See all certifications »

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Details

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Release Date:

18 August 2017 (USA)  »

Also Known As:

Roukhot karrot  »

Filming Locations:

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Box Office

Budget:

$11,000,000 (estimated)

Opening Weekend:

$2,975,732 (USA) (20 August 2017)

Gross:

$4,089,001 (USA) (20 August 2017)
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Company Credits

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Technical Specs

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Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

During the course of the shoot, writer-director Taylor Sheridan was visited on set by some Shoshone tribal leaders who astonished him with the revelation that, at that very time, there were 12 unsolved murders of young women on a reservation of about 6,000 people. Due to a 1978 landmark government ruling (Oliphant v. Suquamish), the Supreme Court stripped tribes of the right to arrest and prosecute non-Indians who commit crimes on Indian land. If neither victim nor perpetrator are Indian, a county or state officer must make the arrest. If the perpetrator is non-Indian and the victim an enrolled member, only a federally-certified agent has that right. If the opposite is true, a tribal officer can make the arrest, but the case must still go to federal court. This quagmire creates a jurisdictional nightmare by choking up the legal process on reservations to such a degree, many criminals go unpunished indefinitely for serious crimes. See more »

Goofs

During one of the final views of the body during the autopsy scene, the body is clearly breathing. See more »

Quotes

Jane Banner: Shouldn't we wait for back up?
Ben: This isn't the land of waiting for back up. This is the land of you're on your own.
See more »

Connections

Referenced in Midnight Screenings: Wind River (2017) See more »

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User Reviews

 
Well Directed, Beautifully Shot, And Quality Acting!
8 August 2017 | by (Mesquite, Texas) – See all my reviews

When actors decide they want to make the transition to the other side of the camera and direct films, it can be a dicey proposition. It makes me even more nervous when said actor to director decides they don't have the acting out of their system and want to keep acting, but with "Wind River," Taylor Sheridan (best known for "Sons of Anarchy," but also the writer of both "Sicario" and "Hell or High Water" with this completing his American Frontier Trilogy) separates himself in order to focus on directing a wonderful based-on-a-true-story tale.

Jeremy Renner plays Cory Lambert, a tracker who works for the Fish and Game Commission in Wyoming who gets caught up in the investigation of the murder of a young Native American woman on a local reservation during a series of brutal snowstorms. He partners with FBI agent Jane Banner (Elizabeth Olsen) as they try to navigate the elements and even the law as it pertains to the reservation itself and a very thin law enforcement department headed up by Gen (Graham Greene).

I know there is not much to the above summary, but that is all you really need to know about this film, besides the fact that I REALLY enjoyed it as one can do with the material involved. Make no mistake: this is a dark film that deals with very haunting subject matter, so there is quite a bit of weight to it, but Sheridan treats this story with the highest level of respect by allowing his very well written script to drive it while still shooting it beautifully. To see such beautiful landscaping (actually shot in Utah) take my breath away while still understanding the danger of what the elements bring from the wildlife to the weather and even the inhabitants add a great layer to the story, but what takes it to the next level is the score from Nick Cave and Warren Ellis (not THAT Warren Ellis) that frames each and every scene perfectly without giving what is coming up ahead.

From a performance standpoint, I really dug the way that both Renner and Olsen dialed it WAY back within their characters with Renner keeping Lambert simple and focused on the task at hand and Olsen showing how Banner is just trying to do the right thing while attempting to understand the situation she in AND asserting the authority she has representing the Bureau. Greene gives great balance and levity to their dynamic while keeping his character involved as a reminder of the heightened sensitivity of their situation.

The Weinsteins' eye for film strikes again here, and I am also looking forward to where Sheridan's career behind the camera goes as well. For this being the second time he has helmed a film, this is incredibly impressive and should at least be on your "need to check out" list if not all the way to "must see".


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