Pakistan-born comedian Kumail Nanjiani and grad student Emily Gardner fall in love but struggle as their cultures clash. When Emily contracts a mysterious illness, Kumail finds himself forced to face her feisty parents, his family's expectations, and his true feelings.
It's time for a young African-American to meet with his white girlfriend's parents for a weekend in their secluded estate in the woods, but before long, the friendly and polite ambience will give way to a nightmare.
A veteran tracker with the Fish and Wildlife Service helps to investigate the murder of a young Native American woman, and uses the case as a means of seeking redemption for an earlier act of irresponsibility which ended in tragedy.
Set over one summer, the film follows precocious six-year-old Moonee as she courts mischief and adventure with her ragtag playmates and bonds with her rebellious but caring mother, all while living in the shadows of Disney World.
Kumail (Kumail Nanjiani), in the middle of becoming a budding stand-up comedian, meets Emily (Zoe Kazan). Meanwhile, a sudden illness sets in forcing Emily to be put into a medically-induced coma. Kumail must navigate being a comedian, dealing with tragic illness, and placating his family's desire to let them fix him up with a spouse, while contemplating and figuring out who he really is and what he truly believes Written by
Brett Lee Swerbilow (email@example.com)
The film premiered at the Sundance Film Festival where it was very well received, which started a bidding war between Sony, Focus Features, Amazon, & Netflix for the distribution rights. Co-creator of the film, Kumail Nanjiani wanted the film to have theatrical distribution, which eliminated Netflix from the bidding war because they're not a proponent in that distribution model. The film's distribution rights were eventually bought for around $12 million by Amazon who is a big proponent of the theatrical experience, with all of its films getting at least some kind of theatrical run. The $12 million dollar deal is one of the largest deals in Sundance's history. See more »
Near the end of the movie when Kumail is looking through the window in the hospital room door he can see Emily's head but when the shot switches to the other side of the bed it is obvious you would not be able to see her from the window because of the angle of the bathroom wall. See more »
So, uh, 9/11.
[everyone looks at Terry expectantly]
No I mean, I've always wanted to have a conversation with
[gestures at Kumail]
about it. With
[gestures again at Kumail]
You've never talked to people about 9/11?
No what's your, what's your stance?
What's my stance on 9/11? Oh um, anti. It was a tragedy, I mean we lost 19 of our best guys.
[...] See more »
In the beginning of the end credits, photos of shown of the real-life inspiration behind the Emily character, as well as the wedding between Emily V. Gordon and Kumail Nanjiani and Nanjiani's real-life parents. See more »
Romance, cultural conflict, betrayal, compassion, and redemption. All neatly wrapped within the context of a comedic memoir. Michael Sholwater did a superb job directing and the writing collaboration between Emily V. Gordon and Kumail Nanjiani gave the audience a wonderfully intimate sense of how the warmth, power, and growth of a couple relationship can expand and strengthen the bonds of family.
No story or movie becomes great without a superb cast. Again Kumail Nanjiani proved his versatility with an amazingly strong performance (in my opinion award winning). And this movie was not a one man show, Zoe Kazan gave just the right energy to her role, Holly Hunter should get an Academy Award for best supporting actress for hers, Ray Romano was excellent as were Zenobia Shroff and Anupam Kher. This was the best movie I've seen in a very long time and just may be the best romantic comedy I've ever seen.
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