Pakistan-born comedian Kumail Nanjiani and grad student Emily Gardner fall in love but struggle as their cultures clash. When Emily contracts a mysterious illness, Kumail finds himself forced to face her feisty parents, his family's expectations, and his true feelings.
A young Englishman plots revenge against his late cousin's mysterious, beautiful wife, believing her responsible for his death. But his feelings become complicated as he finds himself falling under the beguiling spell of her charms.
A personal shopper in Paris refuses to leave the city until she makes contact with her twin brother who previously died there. Her life becomes more complicated when a mysterious person contacts her via text message.
Three years into the senseless American Civil War, in 1864, the dilapidated mansion of Miss Martha Farnsworth's Seminary for Young Ladies is still running, occupied by the matriarch, a teacher and five students in Spanish moss-draped Virginia. However, when a young student stumbles upon Corporal John McBurney, a wounded Union deserter on the verge of death, the already frail balance of things will be disrupted, as the hesitant headmistress decides to take him in to heal from his injury. Little by little, as the unwelcome guest arouses an uneasy sexual excitation among the women of the secluded boarding school, it is not before long that they will find themselves competing for the alluring man's favour. Undoubtedly, this handsome devil is a manipulator, nevertheless, will the ladies stay forever beguiled by his charm? Written by
Contrary to popular belief, McBurney's heritage was not changed to suit Colin Farrell's natural accent. The character is Irish in the book. Farrell was not initially going to use his Dublin accent but pushed to have the movie accurate to the original story. See more »
When Miss Martha walks down the steps to answer the door, she is initially seen holding a revolver in her left hand. Then suddenly before she gets to the door, the revolver is in her right hand. See more »
My being familiar with the original 1971 Clint Eastwood version of this movie, I see that Sophia Coppola stripped away all the rich character development and backstory of Ms Farnsworth's incestuous relationship with her brother as well as the flashbacks that revealed the true conniving nature of John McBurney and the sexual fantasy aspect of these characters which was the basis for their motivation in the story. Miss Coppola seemed to sacrifice all this for the sake of making a film that appear to focus on nothing more than a fancy woman's dress party, as if they were all attending a gala ball every day, as well as some obsession of including trees with Spanish moss in almost every scene filmed at almost every angle with the camera being held on them for an usually prolonged period. The result of which made this film nothing more than a boring shallow one dimensional film and was seemingly made by her for the sake of creating nothing more than a moving piece of art to show female regal apparel and Spanish moss trees.
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