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Mobile Homes (2017)

A young mother drifts from one motel to the next with her intoxicating boyfriend and her 8-year-old son. The makeshift family scrapes by, living one hustle at a time, until the discovery of... See full summary »


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1 win & 1 nomination. See more awards »
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Credited cast:
Rest of cast listed alphabetically:
Security Guard
Roger Barnes ...
Security guard
James Boles ...
Andy Boorman ...
Bar patron
Shane Daly ...
Newlywed / Trailerpark resident
Luke Gallo ...
Diane Gordon ...
Lyric Justice ...


A young mother drifts from one motel to the next with her intoxicating boyfriend and her 8-year-old son. The makeshift family scrapes by, living one hustle at a time, until the discovery of a mobile home community offers an alternative life. Written by Production

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8 December 2017 (Canada)  »

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Did You Know?


Anton Yelchin was supposed to star as the lead but died due to his tragic death. His Green Room costar and friend Callum Turner respectfully took his place. See more »


Version of Mobile Homes (2013) See more »

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User Reviews

Mobile Homes - Seeking home in the heart of freedom and abandonment
27 September 2017 | by See all my reviews

I had the luck to watch "Mobile Homes" at the Athens International Film Festival tonight,and what an amazing chance that was. This film is a documentation of almost every aspect of humanly experience and angst, based on the one of the most fundamental ones: the search for a home. The main characters, a young mother and her son, fought against themselves to realize what a home actually is. Every time they came close to an answer, they would meet the perplexity of themselves and would find a way to run away, until they would be found in the same place again.

I did not want to write a review based on the scenes, or how the plot evolves, or how the characters move during the film. I couldn't wait to get home so that I could make a mere effort to write down everything I felt and feared and waited and longed for along with the characters. The director, Vladimir de Fontenay, got us hooked (I could feel the whole cinema room vibrating) with his incredible ability to comprehend and portray the antithesis between danger and that homely feeling, between being tired and getting some rest in a motherly hug, between abandonment and that risk to reproach the one who abandons, between familiarity and cold and foreign spaces and neighborhoods and homes. I could find my self identifying with situations I have never been to, getting upset with faces I have never met and will never meet and caring so much about characters that were fictional. And I think that constitutes a great film: the intimacy it can build so that one can bring the characters into life, into one's own life.

The director, in a Q & A after the film, claimed that he likes to write about worlds that are unknown to him, claiming that he can better connect to unfamiliarity this way. I feel like he managed to create a film that had us all connected into that same space, where we all are children of a mother, longing for familiarity and warmth, watching our bodies being created as they are shaped through painful and rigid realities.

If you too long for a home of your own, or even if you want to take a glimpse of what that search takes, this film is a must watch. It's true, simple in its brilliant portrayal of family, moving, it gets you angry and upset but also protective and strong. You feel all the feelings and look for all the lookings.


p.s Mr Vladimir de Fontenay (the director) was so down to earth and spoke so beautifully, truly devoted his time to express what he felt and thought to his audience. Beautiful minds equal beautiful films.

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