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Menashe (2017)

PG | | Drama | 28 July 2017 (USA)
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Within Brooklyn's ultra-orthodox Jewish community, a widower battles for custody of his son. A tender drama performed entirely in Yiddish, the film intimately explores the nature of faith and the price of parenthood.

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4 wins & 15 nominations. See more awards »

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Cast

Credited cast:
...
Menashe
Rest of cast listed alphabetically:
Yoel Falkowitz ...
Fischel
Ruben Niborski ...
Rieven - Menashe's son (as Ruben Niborsk)
Meyer Schwartz ...
The rabbi
Ariel Vaysman ...
Levi
Yoel Weisshaus ...
Eizik
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Storyline

Menashe, a widower, lives and works within the Hasidic community of Borough Park, Brooklyn. Since his wife passed away a year before, he has been trying hard to regain custody of his nine-year-old son, Rieven. But the rabbi (and all the community behind him) will not hear of it unless he re-marries, which Menashe does not want, his first marriage having been very unhappy. Father and son get on well together, but can Menashe take care of Rieven properly? Not really for all his goodwill as he holds down a low-paid job as a grocery clerk that consumes too much of his efforts and energy. Always late, always in a hurry, he endeavors to improve himself though. But will his efforts be enough to convince the rabbi that he can be a good father without a wife at home? Written by Guy Bellinger

Plot Summary | Add Synopsis

Taglines:

There's Nothing Orthodox About Him

Genres:

Drama

Motion Picture Rating (MPAA)

Rated PG for thematic elements | See all certifications »
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Details

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Release Date:

28 July 2017 (USA)  »

Also Known As:

Brooklyn Yiddish  »

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Box Office

Opening Weekend USA:

$62,078, 30 July 2017, Limited Release

Gross USA:

$1,703,036, 19 October 2017
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Did You Know?

Trivia

Shot over the course of two years. See more »

Soundtracks

Ivdu Es Hashem Mit Simcha
Written, performed and copyright by Michoel Schnitzler
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User Reviews

 
A Different Type Of Story, But Its Themes Are For All Of Us.

Struggle is something that is universal. Adversity doesn't care who you are, where you have come from, or even who you know. Granted, it can be relative, but no matter who you are, road blocks are still road blocks. Documentarian and first-time narrative director Joshua Z. Weinstein takes this theme but looks at it from a different direction with "Menashe," featured at this year's Dallas International Film Festival and now getting a wider release.

The title character is played by Menashe Lustig and is a widower who is just trying to get by in his ultra-orthodox Jewish community. He is still mourning the loss of his wife a year later while constantly chasing his bills working at a local Jewish market, and he is also dealing with the fact that he does not have custody of his son, Rieven (Ruben Nidorski) due to his religious beliefs that children must be raised in a two-parent household. Until he remarries, Rieven has to live with his brother, Eizik (Yoel Weisshaus), and his family. Menashe has always been seen as the lesser of his siblings, so he embarks on a journey of self-discovery and responsibility just to try for a normal life.

Weinstein takes his documentary-style of filming (with no score and a lot of steady-cam shots) and applies it here, which gives it an intimate feel that really enhanced my emotional investment into his story (which he also co-wrote with Alex Lipschultz). In my comments to our vendor after the screening, I used the phrase "both heartbreaking and heartwarming," and this is the best way I can describe "Menashe". Lustig plays the lead character in a way that even though his struggles are specific to a demographic, there are themes of independence, responsibility, and family that each and every one of us can identify with and feel for him during. His work with Nidorski is very organic, and it works on every level. Almost the entire film is translated from Yiddish, but as real and powerful as this story is, the subtitling bothered me even less than it normally does.

It is true that this film may not be seen as "for everyone" due to the community that it takes place in, but I fully and whole-heartedly disagree. Its universal themes are presented in a way that its context is well-explained so that the audience can see why the traditions are what they are. Much like "Donovan" earlier this year, "Menashe" is an independent film that tells its story in an honest and grounded way that deserves to be seen by as large of an audience as possible.


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